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K&K Recording Studios.
192k Recording Quality
Acoustic Gramophone Record Quality Without Acetate Disc

Music Recording
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Drum & Percussion Setup

Cymbals
İstanbul Agop 20" Ride
İstanbul Agop 18" Briliant Crash
İstanbul Agop 16" Crash
İstanbul Agop 16" China
İstanbul Agop 13" Briliant Hi-Hats
İstanbul Agop 10" Trash
İstanbul Agop 8" Trash
İstanbul Agop 8" Splash
Drum Kit
Marshall Natal Drums 22" x 18" Bass Drum
Marshall Natal Drums 16" x 16" Floor Tom
Marshall Natal Drums 10" x8" Rack Tom
Marshall Natal Drums 12" x 9" Rack Tom
Unique Snare Drum
Pearl Cowbell
Focus Twin Drum Kick Pedal




Percussion
Pearl 16" Ocean Drum
Remo 14" Djembe
Remo 14" Buffalo Drum
Remo 18" Bendir
Latin Percussion Museum Series Udu Drum
Unique Brasil Hand Made Bongo
Unique Brasil Hand Made Rain Stick
Schlagwerk Cajon Precise OS
Meinl Cajun Pedal
Shakers
Crown Percussion by Remo Shaker
Terre Hand Shaker Kemiri (Pala - Seed)
Terre Shaker Hand Fruit
Attack Percussion Chimes 40 bar





Album of the Year
Taste of The Fog was released in 2020 with a single-track recording consisting of 13 episodes. Prepared with Buğra Balcı, Turgut Kaan Velidedeoğlu, and Zekican Evsen Trio, this album contains an intense description of contemporary new-age music.
In this extraordinary piece, Buğra Balcı (bass guitar), Turgut Kaan Velidedeoğlu (Percussion) and Zekican Evsen (Clarinet) present a magnificent transfer of emotions to the audience with an incredible depth.
Album Recording Description
This album; was recorded as an album that reflects Contemporary/New Age styles and includes Healing, A-tonal, A-rhythmic touches.
It aims at the beneficial use of the upper medium stress level for the gradual decrease from the high stress level.
Clarinet: Clarinet joint opening and closing and breathing sounds are left naturally. The audio is uncompressed and digital cleaning is applied by minimizing the losses. Atonality has been preserved ,and the artist's approach to the instrument has not been changed. Spatial modeling was used with 3 angular microphones with a mixed microphone technique.
Bass Guitar: Parallel miking was done outside the cabin with 3 different microphones, in addition to this, listening was taken on Bass Guitar with a condenser microphone. Considering the artist's tone selection and approach to the instrument, the original tone and dynamics have been preserved in parallel with the original acoustic listening. The audio is uncompressed and digital cleaning is applied by minimizing the losses.
Percussion: 3 condenser microphones were used, and 8 dynamic microphones were used. The choices for sweeping and breathing are directly mirrored. Cleaning was done in the sub-frequency detection, but the desired sub-ego frequency was left untouched in the continuous frequencies. Considering the artist's tone selection and approach to the instrument, the original tone and dynamics have been preserved in parallel with the original acoustic listening. The audio is uncompressed and digital cleaning is applied by minimizing the losses.

Taste of The Fog Part 1
